Way back in the pre-iPod days, I would walk our family beagle around the block with a portable cassette player stuffed uncomfortably into my pocket. My “Discman” was too vulnerable and required a flat, stable surface to function. So I was stuck with the sturdier tape player and limited to the dregs of my parents’ small tape collection. Luckily, I only needed one: Bruce Springsteen’s, “The Wild, The Innocent and The E Street Shuffle.”
During dog walks alone, I must have listened to that album 100 times. I’m especially partial to side two. I don’t know exactly what “Incident on 57th Street” is about, but I loved imagining myself in the rich setting of that song. I would “drive in from the underworld,” hang out in back alleys next to worn down fire ladders, and plead with a beautiful Puerto Rican girl to make a better life for ourselves. Of course, I’ve done literally none of those things and I probably wouldn’t actually want to do any of them. Still, every time I hear that song I’m drawn in by the allure of that world.
I spent this past weekend in Asbury Park, New Jersey. It’s a city filled with Springsteen lore and a place he references in album titles, song titles, and lyrics. On Sunday morning, I abandoned my usual Colin Cowherd or Bill Simmons podcast during a run. Instead, I threw on “The Wild, The Innocent, and The E Street Shuffle” and headed to the very boardwalk described in “4th of July, Asbury Park (Sandy).” It was daytime. There were no fireworks. And I don’t think the “Tilt-A-Whirl on the South Beach drag” exists anymore. It didn’t matter. It was a sacred 47 minutes, and a wonderful reminder of the rapturous power of music. Besides, it was much more comfortable to hear the album through a tiny iPod shuffle and not a clunky, falling-out-of-my pocket cassette player.

Hey Craig – Steve here, I know it’s been awhile but nothing elicits a response quite like someone posting about “Incident on 57th Street.” I picture it as sort of a companion piece to “Jungleland,” describing a similar instance of tragic gang warfare (a la The Outsiders, which is a constant presence in my life due to its popularity among 7th grade English classes). Spanish Johnny always struck me as a doomed protagonist who was almost too pathetic to root for.
Something’s been eating me for years, though. Why were the pimps swinging their axes? Hell, why do they even have axes?
Hope you’re well. Let me know how things are when you get a chance.
Steve